Another production for the Two Score Theatre Company. This time an almost forgotten play by the existentialist Jean Anouilh. The main force of the play is the love-hate relationship between Thomas Becket and King Henry II, so the image of a hearts-suite playing card being torn in two and an accent on B for Becket and K for King seemed to do the trick. Various adaptations were needed for cross-media platforms and the programme yielded some opportunities for playing with the headline.